Art Cloth Mastery Program 2012

Sunday, August 2, 2015

Pictorial Tour from IQA Show in Houston, October 2014

Pictorial Tour from IQA Show in Houston, October 2014.

A very belated posting of our class special exhibit at the International Quilt Association Show in October 2014, “Twelve Voices From One”. This exhibit is traveling to Portland, Oregon, and will be hanging at the Quilt! Knit! Stitch! Show in August 2015.

Artwork by: Miki, Teena

Artwork by: Teena

Artwork by: Cindy, Teena, Geri

Artwork by: Cindy

Artwork by: Sofia

Artwork by: Alicia, Suzanne, Geri

Artwork by: Alicia

Artwork by: Suzanne

Artwork by: Geri

Artwork by: Jane, Judi, Jane

Artwork by: Judi

Artwork by: Penny

Artwork by: Lynne

Artwork by: Sherri, Suzanne

Artwork by: Penny

Artwork by: Sherri, Miki, Judi

Artwork by: Miki

Artwork by: Sherri

Class Quilt for Jane.
Alicia, Miki, Jane, Cindy, Penny

Sunday, August 3, 2014

Twelve Voices from One

This exhibition represents three years of intense and dedicated study in the Art Cloth Mastery Program. These works represent some of the finest work being created by surface design artists today. Curated by Jane Dunnewold.

Join us at the International Quilt Festival at the George R. Brown Convention Center, 1001 Avenida de las Americas, Houston, Texas from October 29-November 2, 2014.

The Mastery Program

This exhibition represents three years of intense and dedicated study on the part of the participants. The Art Cloth Mastery Program 2012, in which they were enrolled, required five week long sessions in the San Antonio studio, in addition to demanding assignments which were addressed during the interim periods.

Artists interested in surface design processes are at a disadvantage in this country. Most opportunities for study require either enrollment on site at a university or college, or are offered as week-long workshops through adult education summer programming. The inability to relocate to a program venue inhibits artistic mastery, as does the limited experience of a week’s class without a systematic follow-up.

The Mastery Program was developed to address this reality. The selected participants study surface design techniques on cloth, and also color, design and the articulation of a personal visual language. Each artist is required to develop a research project related to the dyes, chemicals or paints used as part of the patterning palette. Assembled together, these projects will eventually become a catalogue of research to contribute to the surface design field at large.

Professional behavior is also a topic of discourse. Artists prepared a resume, visual documentation, an artist’s statement and a biography as part of the requirement for completion of the program.

This exhibition is a sampling of the finest work being presented by serious students of surface design today. I expect each of these artists will continue to generate studio work for exhibition after the program is completed. Initially, the work of these artists will be a featured exhibition at the international Houston Quilt festival in the Fall of 2014. Later, these artists may choose to extend their circle of influence by teaching. Others may decide to write a book or produce some other lasting contribution to the field. The future is rich with possibility. It has been my great pleasure to accompany them on this exciting path. I congratulate each on the efforts of the past two and a half years.